The Movies I Wasn’t Supposed to Talk About

I’ll be honest: none of the movies I’m about to talk about are movies I shouldn’t really talk about—except for the fact I did this thing on Facebook where you were supposed to post an image a day, for ten days, that represented a movie that had impacted you… and not give an explanation.

Picking only ten movies was really, really hard. I love movies and usually watch a couple every week. I love going to the theatre. There’s just something about the smell of popcorn and a big screen. I also love talking about movies—much to the consternation of my husband who has to listen to me geek out about such things as background sounds, lighting, and scripting. Sometimes in the middle of a film.

Posting hints about ten movies without talking about them was ever harder. So I’m breaking that rule. I’ll try to keep my comments brief, but by way of an overall explanation:

  • I didn’t pick just favourite movies, though these all qualify.
  • I picked movies that had had an impact, and that’s what I’ll talk about in relation to each title.
  • There is no order to this list.
  • I didn’t plan my list in advance. I’d have had to narrow it down from too many choices to do that.
  • I did discuss a few choices with my husband but mostly went with the movie that called to me most strongly every day.
  • They’re listed here in the same order here as they were on Facebook.



Papillon (1973)

Papillon (starring Steve McQueen and Dustin Hoffman) is a movie I saw once—many, many years ago—and never forgot. The story stayed with me for a couple of reasons. The characters (and the actors who brought them to life) and the circumstances (I love prison escape movies) are a huge part of it, but really, it all comes down to the friendship between Henri “Papillon” Charrière and Louis Dega. It’s one of the most unlikely partnerships in the history of friendship, and over the course of the film, we get to watch it deepen into a bond stronger than brotherhood. These men would die for each other, which makes the ultimate ending of the film incredibly stirring. And it’s all pretty much true. I haven’t read Charrière’s book (a memoir of the same name), but what strikes me most strongly about the 1976 version of the film is that friendship, and I love the idea that the book was written in part as a testament to that.

Unfortunately, the updated version of the film (2018) starring Charlie Hunan and Rami Malek failed to strike the same chord with regards to the friendship. I just didn’t feel the same chemistry.


The Dark Knight (2008)

First time I watched this movie, I disliked it. I think a part of it was that Heath Ledger had tragically died and everyone was making a big deal out of his interpretation of the Joker. With that in the forefront of my mind, it felt as though the Joker was larger than the movie, in a way. He became the most important character in the film—and I’d been waiting for the continuation of Batman’s story. I didn’t want a movie about the Joker.

Then, when the release of The Dark Knight Rises was imminent, I watched Batman Begins and The Dark Knight back to back—and, um, wow. Holy perspective change. Heath Ledger’s Joker was phenomenal, but this was not the Joker’s film. He’s important. Hugely so. This is the movie where the Batman takes the fall; where he becomes the Dark Knight so that others can stay in the light. I cried at the end. And The Dark Knight became one of my favourite movies of all time.

Lesson learned: first impressions don’t always last, and watching the movies in a series together can really change the impact of the story.


2001: A Space Odyssey (1968)

I can’t tell you how many times I’ve seen this movie—I lost count years ago. I can recall three of the most memorable occasions, though. The first time I watched it was with my dad and I didn’t get it. I loved the first half, was scared spitless by Hal, and lost the thread during the beyond Jupiter sequence. Years later, I rediscovered the film at the Astor in Windsor (Victoria, Australia). This was the kind of theatre where the smell of the ancient wood and leather was like dust, and they had couches right down the front where you could sprawl with friends, or bring a blanket to curl up in and lie there watching something old. They featured 2001: A Space Odyssey regularly, and I started making a habit of going to see the film. I understood it now, and there was just something about lying there in the dark, cozied up with friends, and watching a movie that questioned the very meaning of our existence. Also, there was the, um, pot.

The third memorable occasion is when I watched the movie with my daughter. She was eleven at the time and had asked me what my favourite film was. Without hesitation, I answered “2001.” She wanted to watch it with me, so we did. She loved every minute and at the end, turned to me with tears in her eyes, and preceded to tell me what it was all about. I was pretty envious of the fact she hadn’t had to wait until she was twenty-something and under the influence of marijuana to understand it, but also proud.


Gallipoli (1981)

I wanted to include a war movie on the list. I watched a lot of them as a kid and still remember classics like The Guns of Navarone fondly (which should be disturbing). Thing is, while a lot of war movies can be upsetting, they’re often triumphant in the end. They’re a tribute to human resourcefulness and spirit, and those are pretty much my favourite kinds of stories.

Gallipoli is not that movie. It’s… tragic. Even as I sit here typing away, my eyes are misting over, and it’s not just because I’m Australian. (Though, if you ask any Aussie of a certain age about this movie, you’ll probably get the same reaction.) It’s because war isn’t always about the triumph of good over evil. In fact, it rarely is. War sucks.

I’m trying to think of an uplifting way to wrap up and move on to the next movie and I can’t, so…


Mrs. Doubtfire (1993)

Yes, I needed a comedy after that and this is one of my absolute favourites, and another movie I’ve seen multiple times. I’m not sure what to say about this movie except that it’s the sort I wish they made more of right now. We need more stories about ordinary people doing “ordinary” things. Where heroes aren’t always the ones in capes. Where a family what you make of it.


Wonder Woman (2017)

I didn’t expect to cry as much as I did in this one or to feel as emotionally rifled. This is a movie that could inspire semesters of study, for so many reasons. Everything I’d like to say about the experience of watching it can be summed up pretty easily, though. I didn’t know how much I needed a movie like this until I watched it, and then I wondered why it had taken so long to happen.

legally blonde

Legally Blonde (2001)

Being blonde isn’t the worst thing ever, and the jokes aren’t the most cutting out there. In fact, a lot of them are pretty damn funny—and fairly interchangeable. And, honestly, I’ve ever been much of an Elle. I don’t have closets full of clothes, I don’t collect shoes, I’ve only ever had one perm (God, what a disaster), and I wouldn’t know what to do with half of my daughter’s makeup collection. But I know exactly how it feels to be underestimated, and worse, dismissed because of who I am and how I present myself. So, I love this movie, because time and again, it shows us that sometimes, confidence is only skin deep and that we all should be our own biggest fans.


The Shawshank Redemption (1994)

I’ve always thought Stephen King’s shorter stories make better movies than his novels (with the exception of Misery, which is just… Wait, why isn’t Misery on this list??) and The Shawshank Redemption is a prime example of that.

On the surface of it, this movie does for me much of what Papillon does and I do have to wonder if King was inspired by Charrière’s book. But he has definitely made the story his own. This one is quintessential King, and the reason it’s on this list is mostly for that last scene and these words:

“Remember, Red, hope is a good thing, maybe the best of things, and no good thing ever dies.”

Tell me you didn’t start sobbing right then! Again.


Alien (1979)

I saw this in theatres when I was eleven years old. My best friend’s dad took us to see it, and yes, I am scarred for life. What, you want more? I was impacted, okay? Very severely. 😀

I could waffle on about set design and the inspired direction, but honestly, it’d be nothing most of you haven’t heard before. Besides being utterly terrifying, Alien is a cinematic masterpiece that set the stage for nearly every science fiction movie that followed after it. I’m a lifelong fan of the series and while I wasn’t in love with the last installment, I’ll continue watching until I’m dust in the wind.


Spirited Away (2001)

I knew I would love this movie even before I saw it because I have loved every movie created by legendary director, Hayao Miyazaki. And I did love it. Every minute of it. But the Spirited Away was far from my favourite Miyazaki until I attended a panel at an NYCC about his films, presented by a student working on a thesis about myth and folklore. The student talked about various representations of the maiden, the mother, and the crone, and how Miyazaki included them in so many of his films—nearly always to good effect. The discussion had me looking at Spirited Away in a whole new way and the next time I watched it, the story changed. It became less about a girl who’d gotten lost on the way to somewhere and more about a girl metaphorically traveling through the various stages of her life.

Getting more out of the film the second and third time is a lesson that serves to remind me that most of my favourite movies (and many more besides) really do benefit from multiple viewings. There are a number of films I’ve watched over fifty times—mostly because I simply love them. There are a lots more that need to be watched again, though, for the message to really sink in. For clues to align from the beginning instead of in retrospect, and because sometimes the impact is stronger the second time around.

My Favourite Things 2017

Here it is, my favourite blog post of the year, the one where I share all the things I fell in love with over the past twelve months.

For many of us, escapism became all the more important in 2017 as we searched for ways to deal with disappointment, disillusionment, and sometimes the sheer terror of what each day might bring. For me, the year started slowly with a lot of books, movies, and TV shows not living up to their potential. So I stepped outside of my comfort zone. Read things I might not have a year before. Took recommendations I wasn’t sure of. Watched movies that should have been terrible and weren’t.

I found a lot to like and actually picked up a new favourite author. I’m going to start this year’s list right there. As always, links refer back to reviews and posts on this blog.


Mystery/Thriller: The Power of the Dog by Don Winslow

This book consumed me for the nearly two weeks it took me to read it. It’s long and involved and completely absorbing. Briefly, The Power of the Dog covers nearly thirty years of America’s “War on Drugs” from the late seventies up to the new millennium. The most astonishing aspect is the fact that it’s all facts—and that author Don Winslow found a way to add a story in there with characters you come to care deeply about. This book wrecked me in so many ways. Even without knowing the consequences were real, they felt true.

I never would have picked this book up on my own. As it was, I borrowed it from the library without even reading the back cover because the waiting list for The Force was months long and I wanted to read Don Winslow now. Best incidental recommendation, ever.

Currently, I’m buddy reading the sequel, The Cartel. It’s almost as good. The research is just as thorough and the presentation of facts just as absorbing. I’ve also started Winslow’s Neal Carey detective series and really enjoyed the first book!

Fantasy: The Fifth Season by N.K. Jemisin

I’ve always meant to read more N.K. Jemisin and so when The Fifth Season showed up as either an Audible Daily Deal or in one of their sales, I picked it up and gave it a listen. And was immediately drawn into a richly detailed world that felt real, even though completely unfamiliar. I seriously envy Jemisin’s world building. It’s seamless and effortless. If ever you have to ask why, it’s usually along with the inhabitants of her world, and the question is one that will be answered by the story at the proper time.

I also really enjoy her characters. There is an even-handed quality to them. She doesn’t write “strong female characters” and “emotionally mature men,” she writes real people who transcend gender and archetype.

Then there’s the story. It’s epic but relatable. I realized going in that The Fifth Season was the set up for a much larger story, but it’s by no means incomplete. The second and third books in the series rely more heavily on the fact you’ve already traveled the roads of book one, but still manage to include complete story arcs. The final book is truly amazing. Better than I imagined it could be and with a resolution I did not quite expect. The whole series is brilliant and I’m really looking forward to more news about the planned television series.

Science Fiction: How Great Science Fiction Works by Gary K Wolfe

Technically, this isn’t a book. It’s a series of lectures from The Great Courses. I’m a huge fan of these series, particularly the audio versions, because I find it difficult to concentrate on non-fiction in print. Listening, I can do, however, and because I’m not tempted to skim, I absorb a lot more information.

And information there is in this course. These twenty-four lectures cover the genre pretty thoroughly from origin to present day to what the future might bring. Each subject was fascinating and I found the Wolfe’s opinions and commentary extremely balanced. He had his favourites (which more often than not aligned with mine), but also talked about books that are simply important to the history of science fiction.

My reading list grew as did my re-read list (which is something I might actually get to now that so many titles are available on audio). What I most enjoyed about this series, though, was Wolfe’s obvious and genuine love and enthusiasm for the genre and the people who have strived to excel within it.

Other notable science fiction reads this year included the Frontlines series by Marko Kloos and, as always, the continuing saga of Miles Vorkosigan.

Romance: Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz

More than a love story, Aristotle and Dante is an homage to the very real pain of youthful discovery. Of all the YA love stories I’ve read with LGBT characters, this is the one I’d most like to see made into a movie.

Fiction: Kith and Kin by Kris Ripper

I adored this book and never wanted it to end. Ripper introduces the reader to a family that is quirky, enmeshed in drama, a little bit broken, and most importantly, there for each other when it matters—even if they don’t really want to be. Essentially, it’s a book about just that, about what it means to be family, whether by blood or by choice. It’s about being an adult and how freaking hard that is. It’s also about growing up and taking responsibility, and about accepting who you are and being okay with that. It’s a wonderful, wonderful book, and I hope we get to visit with the Thurman family again sometime.

Manga: My Brother’s Husband by Gengoroh Tagame

This gentle manga is the antidote to 2017. I can’t remember who recommended it to me, but am forever grateful. It’s about a Japanese man, Yaichi, his daughter Kana, and their house guest, who just happens to be his brother’s husband. Sadly, the brother passed away, and his husband, the delightfully robust Canadian, Mike Flanagan, is visiting Japan to connect with family.

While the series is light and a lot of fun to read, it also deals with homophobia and cultural differences by answering questions anyone might have had in a straight forward and unabashed manner. For me, though, the growing friendship between Yaichi, Kana and Mike as they become a true family is the real delight.


In Theatres: Logan and Wonder Woman

I saw a lot of really, really good movies in theatres this year. Usually, it’s easier to choose just one for the top spot, but not between these two.

Logan is the movie I most looked forward to in 2017, even though I knew it was going to break my heart—and it did. But so beautifully, which might sound anachronistic when you consider the rating of this film. Honestly, though, this story couldn’t have been told any other way. It’s a fitting tribute to a favourite among the X-Men and one of the finest performances I’ve seen from Hugh Jackman and Sir Patrick Stewart.

Wonder Woman has changed the way I will watch superhero movies forever. I didn’t know how much I needed this film until I watched it. I think the moment that sums up my feelings best is when Diana Prince climbs out of the bunker when no one else will. Yes, she’s basically bullet-proof, but the message of that action goes much deeper. A woman gets things done. A woman’s bravery is unquestionable. I cried as she walked into the dark and I cried again when she leaped to the top of the church. And inside my heart, a loud voice was singing, this what a woman can do.

Because this was such a great year for movies, I have a bunch of “Honorable Mentions.”

War for the Planet of the Apes – Another highly anticipated movie for me as I have thoroughly enjoyed this series reboot and the greater story arc of these three films in particular. This was the most powerful, by far, and for longtime fans, the movie that ties it all together.

Dunkirk – Story aside, this is the most carefully and brilliantly crafted movie I’ve seen in a long, long while.

Blade Runner 2049 – Exceeded all expectations and they were pretty high.

I also enjoyed The LEGO Batman Movie, The Fate of the Furious, and The Foreigner.

On DVD: Hidden Figures and Get Out

I didn’t get to as many movies on DVD as I usually do this year, but these two were well worth the time.


Black Sails

This series is EVERYTHING. If I were to compile a master list of Favourite Things at the end of the decade (ooh, another list!) Black Sails would probably be at or near the top.

For all my thoughts on this phenomenal series, read the post, “Welcome to the Dark Side.” (Spoilers are kept to a minimum, but as this is a four season show, I can’t guarantee I didn’t slip up somewhere.)

This year I also enjoyed Broadchurch, The Killing, season two of The Expanse, and Dear White People.


Favourite Game: The Last of Us

Oh, this game. So, so good. Dark and gritty and completely unexpected. I loved the story, the characters, the setting, the mood and the gameplay. The attention to detail, from the scarcity of resources to the little Easter Eggs dotted throughout the map. This is a game designed to involve and destroy you, and it does so very, very well. The voice acting is superb and I was surprised to learn Troy Baker (Joel) also voiced Mitchell in Call of Duty: Advanced Warfare. He has an incredible range.

Then we have the soundtrack. One of the best, ever.

For all my thoughts on The Last of Us, read the post, “Parenting in the Time of Zombies.” (Though I don’t directly give anything away, my defense of Joel could be considered spoiler-y.)

I played a lot of games this year, which is probably why I didn’t get to as many DVDs. I also enjoyed The Nathan Drake Collection (Uncharted 1-3), Horizon: Zero Dawn, Call of Duty: Advanced Warfare, Dishonored 2, Assassin’s Creed: Rogue and am currently playing Assassin’s Creed: Unity, which I am enjoying very, very much.


Song of the Year: “Something Just Like This” — The Chainsmokers & Coldplay

This song will probably appear on the playlist of every book I’ve written this year—and for a very good reason: these are the guys I love to write. The heroes who aren’t super. The ordinary men (and women) who go the extra mile simply because they’re in love, or it’s the right thing to do, or because that’s who they are.

Other music that resonated strongly with me this year was the main theme (and soundtrack) for The Last of Us, Johnny Cash’s version of “Hurt” (for the movie Logan) and “High” by Sir Sly.


Is this the first time you’ve read my list? Yes, I also do food and 2017 was the year of the Instant Pot. I joined the cult of the latest culinary obsession, and if you give me just five minutes, I’ll convince you to join too! Take a look at some of my favourite recipes:

Pulled Pork (pictured)

Indian Butter Chicken

Chana Saag – Instant Pot {Chickpeas and Spinach Curry}


I’ve always got a game going, but in 2017 I got back into gaming in a big way—partly because having a PlayStation helped me separate gaming from working (normally I’d play at the PC sitting under my writing desk). Being able to switch off after a long day and head downstairs to play encouraged me to play more often. As did the ability to lie back in the recliner with a beer bottle wedged into the seat cushion next to me.


Also, I took a break from epic length strategy RPGs to enjoy a series of short and sweet shooters and action adventure games. Additionally, we met more frequently with our board game buddies and spent many days happily hunched over a wide variety of adventures from card collecting co-ops (The Grizzled) to all out competitive warfare (Adrenaline)—and everything in between.

And that’s another year sorted. It’s been long and interesting and sometimes more difficult than I imagined. There were a lot of low points and I’ve had to draw on reserves I didn’t know I had. But we made it to the end and I can only hope that the template for dealing with sh*t I’ve put in place will serve me well in the years to come. On that note, I wish you all happiness and health and all the best for a bright and prosperous 2018.


A Pantheon of Superheroes

I’m not the first person to draw parallels between superheroes and the gods of classical myth. It’s a subject that’s been written about endlessly! But as happens when I try to educate myself, I want to apply what I’ve learned. Or at least talk about it.

For the past few weeks I’ve been listening to a series of lectures on Classical Mythology. I’ve always been interested in Greek myths. They’re an integral part of our culture; they’re the stories nearly everyone knows. Having finished this series of lectures, however, I have gained a sense of just how deep the appreciation and appropriation of classical mythology runs. While these myths didn’t necessarily invent the art of storytelling, the people who wrote them down, or paid homage to them when penning their own epics, used the ideas conveyed by these myths to shape the art of storytelling forever. That might have been to do with the fact once these myths were written down, the act of writing became an act of storytelling, and it had to make sense. Or it could simply be that these tales speak to a need in all of us to make sense of, well, everything.

Our stories of superheroes continue this tradition even if in a more fanciful sense.

On the weekend I watched Justice League: War. I got sucked in by the snarky banter between Batman and Green Lantern. They traded insults throughout the entire movie. It was awesome. I also really liked the interpretation of Batman in this instance. He’s my favourite superhero, so I’m always a little sensitive when it comes to how he is portrayed.

Anyway, at the end of the movie, Wonder Woman makes a comment along the lines how much she enjoyed being a part of the pantheon once again. Superman, the lovably clueless lug, says something like “Huh?” Diana then nods to the heroes lined up beside her, giving each one a Greek name.

This got me thinking.

(here we go…)

Here are her match-ups:


Wonder Woman, Alex Ross. Diana the Huntress, Giampietrino.

First of all, for Diana to assume she was part of the pantheon means she must be one of these gods (or goddesses). Given her name is Diana the most obvious choice for her is Artemis, goddess of the hunt. I think it’s a good fit. Artemis (and her Roman counterpart, Diana) is the protector of young women and animals and mistress of the wilderness. This works well with Diana being a warrior princess of the fabled Amazons, which places her in the same category of myth! I could dig deeper, but then this post would get long and boring.


Batman, Jim Lee. Hades, Wrath of the Titans

Batman is Hades (according to Diana). I really like this comparison and not because Batman is dressed in black and Hades is overlord or the underworld. Let’s start with Batman’s superhero name. It’s a nod to the fear he has overcome. Hades name ends up becoming synonymous with the realm he rules over. I think there is a parallel there. Moving on, Hades is not an evil guy. He’s actually portrayed as quite altruistic and with a reasonable temperament. He is a god of balance and change. He’s also the keeper of human souls, from the moment they are born until they enter his realm. Batman’s search for balance, or the meaning of his existence, is a key component of his character. He’s also the most human of the superheroes—because he is human, unalterably, using only technology (and oodles of cash) to defeat his enemies.


Green Lantern, Ethan Van Sciver. Apollo, ArcosArt.

Diana called Green Lantern (Hal Jordan) Apollo. I don’t know much about Hal as a Green Lantern, so I had to do a little research for this one (woot)! Apollo is a really complex god who had a finger in a lot of pies. He’s depicted as a patron, leader, defender and oracle. Hal’s a cop and a superhero and, well, a lot of everything. As Parallax he’s one of the most powerful beings in the DC pantheon. Apollo is also extraordinarily powerful. I think the simplest parallel is in the way a Green Lantern uses his powers. He can shape them into anything, and his imagination is fueled by his willpower. This fits with Apollo’s ‘jack of all trades’ godding. (That’s a word. Really. Okay, maybe not.)


Flash, CWTV. Hermes, Unknown.

The Flash is Hermes. This is an easy parallel as both of these guys have winged feet. They’re fast. They’re both supposedly cunning and witty, which Flash, Barry Allen, is in Justice League: War. The Barry Allen of the current TV series is charmingly naïve, but still makes a fair comparison with his other skills—being able to move between worlds and seeing himself as a protector.


Cyborg, Lee Bermejo. Hephaestus, Riordan Wikia

Cyborg is Hephaestus. Before Googling Hephaestus, I assumed he’d be the burly sort—seeing as Cyborg is big. Hephaestus is the god of blacksmiths, metallurgy, fire and volcanoes, among other things. Greek gods rocked at multitasking. So the similarities are obvious. Blacksmith doesn’t necessarily mean weapon smith, but they are handy with tools. Cyborg pretty much is a tool. He thinks and it is. Also, he’s rather fond of blasting fire at things.


Shazam, DC Comics. Zeus, Injustice: Gods Among Us

Zeus as Shazam (Captain Marvel). Well, it’s obvious, isn’t it? They both wield lightning. This connection can be explored on a much deeper level, however. As portrayed in Justice League: War, Shazam is a geeky kid in his human form and a terrifically built dude in his superhero form. Zeus is, at the same time, both the youngest and oldest son of Cronus and Rhea. According to myth, fearing one of his children would grow up to kill him, Cronus swallowed each one as they were born. Rhea substituted a stone for the last, Zeus, and sent her son away to be raised elsewhere. As an adult, Zeus freed his siblings from Cronus (in some stories, they were disgorged, in others they were rescued from his slit belly) and they were ‘born’ again in reverse order, making Zeus the first born and therefore the oldest. I kinda like how this parallels with Shazam being a young kid, and then an adult superhero.

Diana doesn’t match Superman to a Greek god. She instead tells him he’s something else entirely. Which is interesting! In other match-ups, he’s inevitably paired with Zeus. I really like the above comparison, though. So who exactly is Superman? I guess that’s for you to decide. 🙂

(Featured image is from Justice League: War, DC Comics)